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Level 3 TV and Film 2025Level 3 TV and Film 2025

LEVEL 3 TV AND FILM 2025

Students have been engaged in the production of media content for skills development in Script Writing, Cinematography and Video Editing. They have researched, planned and produced videos for various projects, including exploring narrative themes and TV studio multi-camera productions. Students also undertook productions exploring emerging technologies in live web streaming.

The standard of work has been excellent, with students researching, writing and producing final project work including short film, music video and documentary. Productions have benefitted from students having access to TV studio facilities to enable advanced uses of lighting and cinematography.

The work produced this year shows genuine creativity and imaginative uses of industry standard resources.

Stuart McConnell, Lecturer in Media

YEAR ONE

Identity Project

Identity – Ella Martin
Comics, the old, the bad and the good – Taylor Parekh

Music Videos

Leon Jones – Somewhere I Belong
Ella Martin – Moon River
Alesha Miller

YEAR TWO

Level 3 Factual

Beyond the Desk by Emma Cammies
The Forgotten Steelworks of Brierley Hill by Olivia Chittenden
Obscured Documentary by Abigail Foxall
Boxing Documentary by Darren Nzoukeu
Grey Skies With Big Dreams by Serina Shakes

Found Footage Projects

The Green Room by Seth Bate
Actruth by Emma Cammies and Olivia Chittenden
Good Cops by Cameron Golding
Behind the Project by Amelia Lee
Bigfoot by Sebastian Lewis
The Visitor by Daniel Shirley

Kaiju Project

Level 3 Music Video

Chinese Satellite by Amelia Lee
Igor’s Theme by Joshua Jacques
Jammin’ by Sebastian Lewis
Rock and Roll by Daniel Shirley
They Might Be Giants by Tommy Smith

Level 3 Short Film

The Box by Charlotte Bamford
Cheeky Scran by Seth Bate
Brotherhood by Liam Clark
The Late Night Bite by Cameron Golding
A Vlog Updated by Devon Thackery

TV Studio Production

Fashion and Textiles 2025Fashion and Textiles 2025

FASHION AND TEXTILES 2025

BTEC L3 DIP IN FASHION & TEXTILES YR1 | BTEC L3 DIP IN FASHION & TEXTILES YR2

This qualification offers learners the opportunity to develop their technical fashion & textiles skills through a process of self-evaluation, practice and review. In addition to the specialist fashion & textiles content available in this qualification, learners will develop the transferable and higher-order skills that are highly regarded by higher education and employers, for example communication, project management and problem solving.

You will develop practical skills and knowledge in fashion and textiles through lessons taught in specialist studios. From initial ideas and concepts, you will learn how to pattern cut, create your own textiles and construct garments. You will have the chance to see your fashion collections come to life during public fashion shows and a final exhibition.

Dudley College now also offers a Textiles and Fashion T Level qualification that will provide you with the knowledge, skills and behaviours needed to progress into skilled employment or higher-level technical training or study in the Fashion and Textiles sector. The core knowledge and understanding will be assessed through an examination and core skills through a practical employer-set project.

BTEC L3 Computer Games Design 2025BTEC L3 Computer Games Design 2025

BTEC L3 COMPUTER GAMES DESIGN 2025

BTEC L3 YR1 | BTEC L3 YR2

How do you build a computer game from the ground up? This course shows you how. The work showcased demonstrates how young designers and artists at Dudley College have challenged the parameters of game design to present original and imaginative solutions for 2D and 3D game outcomes.

Learners are challenged to ‘think outside of the box’ to explore and question conventions within the world of games design. The course provides learners with the opportunity to creatively develop dynamic conceptual outcomes, while working with industry-standard design and production applications.

Students produce a wide range of game related ideas, from creating and developing proposals for intriguing game play and challenging game mechanics, to learning how to visualise, design and build digital characters for game deployment. The learners also get the opportunity to imaginatively craft and sculpt 3D environments and worlds. The use of industry-standard software is at the core of what we offer.

Programmes such as 3D Studio Max, Unreal Engine 4, World Machine, Mudbox, Z Brush, Qiuixel Suite, Crazy Bump, Visual Studio, GameMaker Studio are embedded throughout the projects our learners undertake. As part of the creative aspect of the course, we encourage our learners to become keen practitioners in areas of conceptual illustration, using applications such as Photoshop and Sketchbook to visually portray aspects of their imagination. I hope that you enjoy viewing and watching examples of their work.

Who knows? In a few years, you could be playing one of their games . . .

John Jones, Computer Games Design Course Tutor


BTEC Level 3 Year 1

Elinor Bailey


Seth Craig


Finley Evans


Chloe Gimenez


Jayden Jenns


Ezra Parker


Andrew Perkins


Lucas Pereira Pessoa


Korey Smith


Wade Smith


Chey Taylor


BTEC Level 3 Year 2

Lucas Baggott


Paige Cheney


Natasha Clayton


Charlie Watson

BTEC L3 Fashion and Textiles Yr2 2025BTEC L3 Fashion and Textiles Yr2 2025

BTEC L3 FASHION AND TEXTILES YR2 2025

GABRIELE BALCIUTE | KIAHNA TAYLOR-BRUMMELL | ASHLEY COLLEY | ISABELLA DAINTY | MARNIE-RAE HEDLEY | ANGEL HINES | OLIWIA KUCHEREK | SHANIA ROGERS | LEWIS O’SULLIVAN | MADISON WALTERS

Gabriele Balciute


Kiahna Taylor-Brummell


Ashley Colley


Isabella Dainty


Marnie-Rae Hedley


Angel Hines


Oliwia Kucharek


Shania Rogers


Lewis O’Sullivan


Madison Walters

Screenshot
Screenshot

Photography Y1 Zoo Poster Project 2025Photography Y1 Zoo Poster Project 2025

Each year, our photography and graphics students work with Dudley Zoo on a variety of exciting projects aimed at raising awareness of animal welfare and conservation.

This focus of this year’s project was to produce posters about each species of animal which interested them, with many students making regular trips to the zoo to photograph the animals and learn more about them and their eating habits.

Not only is this a good chance to put their knowledge of camera techniques to the test (as animals can be notoriously difficult to photograph) , it’s also a great opportunity to get closer to wildlife in a way that can’t be achieved simply by watching nature documentaries online or on TV.

Below is a gallery of some of our students’ amazing images – we hope you enjoy.

Phil Brooks, photography course tutor

A-Level Photography 2025A-Level Photography 2025

A-LEVEL PHOTOGRAPHY 2025

SOPHIE DUNNE | SAM DUTTON | GRACE EVANS | LEONA GURUNG | CARA JONES | ERIN McCABE | MYLEE ROUND | GRACE SKETT | LIBBY STEVENS | EMMA WATSON

A-Level Photography allows learners the opportunity to express themselves creatively while exploring ideas and concepts that are personal and meaningful. This is clearly demonstrated across the wonderful work created by this years A-Level cohort. I could not be prouder of the work and achievements made by each member of the Photography group.

Learners often choose issues within society as a means to connect their Photography to an audience. The course consistently challenges them to problem solve and improve both quality and concept as they progress. This ultimately prepares them for both industry and Higher Education.

Industry-standard software and equipment are embedded throughout the course to again support progression, exploring the Creative Cloud Adobe Suite with programs such as Photoshop and Lightroom for image editing, along with InDesign to create their stunning portfolios and project work. To allow for a deeper understanding of photography, learners are encouraged to work with both modern and traditional techniques such as darkroom and Cyanotypes. This 2-year programme builds theoretical and practical knowledge to allow our learners the creative means to express themselves through Photography.

I hope you enjoy exploring the work from this year’s Photography learners.

Simon Morris, A-Level Photography Tutor, Dudley Sixth


Sophie Dunne

 The concept of my project (component 2) was to convey images that expressed the weather and light. While taking these images I tried a different number of locations as well as objects – like trees and ponds and boats as well as geese and ducks.

I really enjoyed both black and white photography and colour and when it came to picking my final images it was sometimes hard picking between the two. When editing my work, I didn’t really change much, just exposure of the images. 

I am currently working at a photography studio and hope to continue my work there and to develop more skills as a working photographer. 


Sam Dutton

These images mainly served as final images for a project which revolved around self-portraiture as a means to explore the deeper workings of the human psyche. These images all use a variety of editing methods, with the main ones being the use of digital editing to create Spiral effects, blending as well as enabling two subjects to be present in the frame at once.

Other edits that I employed for these series of edits include physical editing methods such as the act of tearing and overlaying two images. All of these were carefully chosen since I felt that they captured the deeper portrayals of the human psyche in a captivating and creepy manner.

I plan to study History and War Studies as a joint honour at The University of Wolverhampton.


Grace Evans

These final images are from my component 2 project where I explored the topic Active or Relaxed. I decided to focus on a documentary style approach for this project, focusing on one person per photoshoot.

I wanted to capture people doing their favourite things that keeps them active and/or relaxed. For example, I captured my dad playing golf which both keeps him active but also helps him relax as it is a sport he thoroughly enjoys. I kept the images in black and white, as it gave them a more personal feel to them, as well as emphasising documentary style.

After A-Levels I plan to continue working with photography and hopefully pursuing photography as a job.


Leona Gurung

Throughout my works, I chose to follow a cinematic route by capturing scenes that surround me on a day-to-day basis using candid imagery. Cinematography often controls what the audiences can and can’t see, so I was able to use this to my advantage by capturing the beauty that is pre-existing within people, places and things; to help me change people’s perceptions of certain aspects of life that may be overlooked.

I believe that I have successfully demonstrated this concept through the images that have been showcased here.

I plan to continue pursuing photography at the University of the Arts London (UAL) and obtain a degree in it.


Cara Jones

I have thoroughly enjoyed photography A-Level, and my final 2 components have been orientated around my interests, such as street and natural photography. These interests I stretched to my extent, firstly beginning Component 1 based on Fantasy and Fiction. Hopefully, these images look ethereal and perfect to project this theme.

However, for component 2, I have totally switched this on its head and experimented with the idea of Fear enforced by the Urban Environment. These contrast my first images, being dark and isolated and scary.

Thank you to everyone who has helped me through these 2 years including Simon and my family, and I want to wish a well done to everyone else in my class who have done a fab job  : )

I plan to study a degree in Archaeology and History at Exeter University, keeping up photography as a keen hobby.


Erin McCabe


Mylee Round

For both my Component 1 and 2, I worked around the central theme of fashion. My component 1 I worked on glamour and fashion photography as it aligns with my interests and is common in everyday media. I investigated magazines such as Vogue and Elle which inspired me and guided me to understand modern beauty standards.

For my second project I worked with different fashion in different locations, I tested a range of different models and places to create a range of moods and aesthetics. I am currently working towards going to Worcester University to study Dance and Performance, and intend to carry on with photography in the future. 


Grace Skett

 For this project I explored the concept of individuality by forming characters to showcase the distinct separateness between people and how each person has their own identity. My initial starting point of this project was table, and it is through a table that I have presented the different personality types of an individual by giving them their own personality trait.

For the layout of the images, I wanted to capture all of the models together in an arrangement to further accentuate the uniqueness of each of the characters. Overall, my images are successful as they extenuate the difference between each person through the simplicity of a table and incorporate a variety of skills such as cinematography which is the art of photography and visual storytelling in a motion picture. I used this to build a narrative for each of the characters to help further underline the individuality of a person. 

In the future I am to go to the University Of Birmingham to study sociology and education. 


Libby Stevens

Within my first project I explored the connections between human and natural form. Through doing this I hoped to portray our connection to nature and emphasize our natural beauty as I feel this is something which has been lost within the Morden age, because of the harsh beauty standards rooted within society.

For this project I followed the brief ‘focus’ and chose to photograph natural forms under colored lighting conditions to emphasise the level of detail their surfaces contain, and to make the outcomes more interesting.

I am planning to take a gap year and work on my photography portfolio and hope to continue into photography as a career.


Emma Watson

This work is from my component 2 project. I focussed on blurring the lines between the arts and culture of my closest city -Birmingham- and the architecture and work culture by combining work of the graffiti and street art of Digbeth and the inner-city buildings and workplaces by creating collages and overlapping images of the two.

I chose to show this due to the erasure of art in a city’s culture despite its immense impact especially on its youth, I wanted to focus in particularly on the windows of the buildings to showcase the architectural aspect, this is compared to the fleeting line work and bold colours of the street art.

My photography work has helped me obtain more knowledge of the arts and helped solidify my passion in this field. After my A levels I am going to study Art History at Aberystwyth university.

A-Level Graphic Communication 2025A-Level Graphic Communication 2025

A-LEVEL GRAPHIC COMMUNICATION 2025

LEONA GEORUNG | HARRY NORTHALL | NTANDOYENKOSI MALABA | KRISHAN PATEL | SARAYNA SRAI

The role of a graphic designer is incredibly varied. You may find yourself immersed in a fantasy world while designing a set of illustrations for a book, or exploring complex data to create exciting and vibrant infographics that inform rather than confuse. 

Graphic communication students at Dudley Sixth are introduced to a wide selection of processes and techniques. Using a range of both traditional and digital methods, they are encouraged to move beyond their comfort zones to produce  a variety of work supported by an understanding of design theory and a developing awareness of contemporary practitioners to inform and influence their ideas. 

In their second year, students begin to develop their own visual identity while becoming increasingly self-directed and independent, producing a collection of work tailored to their interests and specialisms. This could be an advertising campaign, design work for a clothing website or a set of illustrations for an album sleeve or book. Throughout the year, students will be encouraged to try new approaches and consolidate the skills they have learned in their first year to produce strong, challenging and professionally-produced designs. I believe you will see all of these qualities in this year’s second year work. I hope you enjoy it. 

Chris Worley, A-Level Graphic Communication Tutor, Dudley Sixth 

Leona Georung


Harry Northall


Ntandoyenkosi Malaba


Krishan Patel


Sarayna Srai

A-LEVELS 2025A-LEVELS 2025

A-LEVELS 2025

FINE ART | GRAPHIC COMMUNICATION | PHOTOGRAPHY | TEXTILE DESIGN

As a purpose built, self-contained A-Level centre with the goal to educate and enthuse the next generation of learners, Dudley Sixth is fast gaining a reputation for being one of the best places to study A-Levels in the Black Country, Birmingham and the wider West Midlands region.

Our A-Level courses in Fine Art, Graphic Communication, Photography and Textile Design are your gateway to Higher Education, Higher Apprenticeships or employment. The majority of our learners plan to progress onto university and many accept places at a range of Russell Group universities, including Birmingham, King’s College London and Manchester, as well as other local prestigious universities including Aston and Keele.

With subject specialists guiding you through your two-year A-Level programme, you will receive the highest quality education. Our aspiration is for you to achieve your potential and have a very successful future.