Watch This Video of Our Upcycling Fashion Shoot with Andy Kruczek – January 2023
This creative cohort endured testing times through the COVID-era, at school, but have now built their confidence, cohesiveness and created a collaborative, supportive ethos. In terms of inter-department collaboration, they have photographed most college dance, musical theatre and drama events since the summer. All 2nd years are currently making promotional images for music students. Only one of our students considered going to university at the start of the course. Now 7 or 8 out of 11 are going to university and not only local ones. This year we have organised many talks, including from Gloucester University, Staffordshire University and Coventry University. We have travelled for workshops to The University of Wolverhampton and Hereford College of Arts. Also, previous students from Falmouth University, BCU, etc, have come back to work with us and inspire us.
Since Christmas, we took part in a special cross-curricular upgrade fashion shoot, inspired by Andy Kruczek’s talk and mentoring, later exhibited at the YMCA shop. Recently, we exhibited across 3 campuses for the college’s Equality and Diversity Day, as well as having a Conservation Photography exhibition at The Dudley Archives. Last year’s student Zoo Book raised hundreds of pounds for the orangutans of Indonesia. Following our work with Anand Chhabra, for Historic England, 3 students have been selected to exhibit their High St Heroes work across England, including London and Derby’s Festival of Photography.
This creative cohort endured testing times through the COVID-era, at school, but have now built their confidence, cohesiveness and created a collaborative, supportive ethos. In terms of inter-department collaboration, they have photographed most college dance, musical theatre and drama events since the summer. All 2nd years are currently making promotional images for music students. Only one of our students considered going to university at the start of the course. Now 7 or 8 out of 11 are going to university and not only local ones. This year we have organised many talks, including from Gloucester University, Staffordshire University and Coventry University. We have travelled for workshops to The University of Wolverhampton and Hereford College of Arts. Also, previous students from Falmouth University, BCU, etc, have come back to work with us and inspire us.
We are currently working with staff and students at the IOT, pioneering an educational app for students with communication difficulties, to be used across Dudley Schools. This year, one student won Dudley Young Photographer of the Year and another won a top 10 UK student award, for an image, later exhibited at the national Photography Show. In addition, one student has had a very fruitful work experience engagement with Thomas Dudley. We are currently making a ‘Ronnie and Friends’ Baby Loss Awareness book as well as this excellent yearbook. Following our work with The Holocaust Education Trust and the Dudley Holocaust Memorial, we recently had a meeting with Lord Austin, who together with the Mayor of Dudley, is commissioning us to photograph local refugees to celebrate their contribution to the community, for a forthcoming exhibition. In so many ways, this group have exceeded expectations and we wish them continued success in the future. We’re proud of you! Keep in touch – Class of 23!
Phil Brooks, course leader, photography
Watch this Video Gallery for the Dudley Zoo Exhibition Created by Dudley College Photography Students
Over the course of this last year, I have developed a deeper understanding and a true passion for portraiture. This is now something that I want to go into professionally. In this selection, I’ve stepped outside my comfort zone to try self-portraiture.
Using a range of different lighting, from natural sunlight to the studio lights, I have been able to work and experiment with multiple styles of lighting and how they overall affect the final image. Some of my images offer a ‘story telling’ element, for example, the photograph of the adult looking at the barbie doll was from my final project and was part of a theme of work titled “Childhood Influences”.
My work over this last year has slowly begun to develop, along with a new sense of confidence and I wanted to be able to choose images which reflected these statements.
The 1950s and 1960s are my favourite decades for simplicity of lifestyle, the hope people had after the war and also for the great art and music. In addition, by following the vintage photography from this period, I could feel the nostalgia. I wish I could live in the 1950s decade. For my project, I had the aim of creating dramatic and cinematic photographs in a Fim-Noir theme. I was trying to express the moody and more significantly dramatic feelings and moments which I created by hard lighting in black and white and low-key. My portraitures are more classical and every image can tell a story about its character. Shadows and highlights play an important role in this genre.
I paid attention to the clothing style, background, and face direction/expressions for my close-up portraits.
My final five images have captured a sense of light and time, and though the images are not of a correlated theme, they link because photography is still essentially about capturing light and time. Through my series of portrait and still life images, I have aimed to create an aspect of drama, capturing a decisive moment, whether it be through a model’s look or expression, or in the momentary splash of water.
This project’s theme is ‘Mindful’. While none of the subjects in these six studio portraits is actually speaking, each will hopefully say something to you. Perhaps you can see defiance, melancholy, reflection, heartbreak, contemplation, uncertainty – or something else? In any case, these images invite you to explore your own thoughts and feelings in the present moment.
For my project I have focused mainly on portraiture. I have experimented with lighting techniques and have considered the effect of props, backgrounds and poses. I have been influenced by photographers such as William Eugene Smith, Marino Testino, David Bailey and Lisa Carpenter.
In my work I have drawn inspiration from a variety of sources, such as the Pre-Raphaelite movement, Film Noir Genre and other artists such as Damien Lovegrove and Annie Leibovitz. The following set of six portraits are taken from my portfolio of work, where my focus has been portraiture. Following on from the Film Noir theme, I have consistently used low key lighting in my work to give a feeling of intensity and drama to the Images. For me, having a sense of mystery in my portraits is important as I feel it enables the viewer to interpret the story being told by using their imagination. The following six images were designed to celebrate the female form both for its beauty, strength and vulnerability. I want my portraits of women to be both beautiful, intimate and empowering.
