Artsfest Photography Yr1 Gallery 2026Artsfest Photography Yr1 Gallery 2026

TY’NAYA ALLEN-EDWARDS | NELSON DIMBA | LIKWAN DUNCAN | AMBER FIELDER | KYE GARVEY | VICTORIA GIBSON | HARRY GOSELEY | LILLY GOUGH | TOBY GOVER | ZARA HOMER | REECE HURLSTONE | HARRY JONES | SOPHIE JONES | MARISA JORDAN | WINNIE MBUJIBUNI | JESSICA PARKES | MELISSA POXON | IMOGEN ROSE | ABBIE SHAW | JACOB STOKES | CHRISTIAN SUTHERAN | KAIYSHA TALBOT | DAUNTAE WHITTLE | LILLIE WILLIAMS | NATHANIEL WRIGHT | KYRA YORK

Ty’Naya Allen-Edwards

The name of my project is “Echoes in the Dark” the reason I chose to do my project on and around the alternative music scene, is because it represents me as a person and as an artist. The alternative music scene is little known as whole, as its depicted as atypical and unconventional, when this isn’t the case. I chose this to shine a light (my lens) and bring attention to the scene; educating people on this, hopefully grabbing their attention and piquing their interest in this music genre. 

 I like to take action shots in black and white as this shows a more dramatic image which depicts the truthfulness of this music genre.  

I have influences from several artists including: Annie Leibowitz – Rolling Stones. I feel her work allies the dramatic aspects of photography that aligns with my own work. 

What I hope to achieve with this work is to bring this scene to the mainstream or at least dispel some of the misconceptions of this music scene, hence the name: “Echoes in the Dark”.  

Nelson Dimba

My project is about Zimbabwean culture and how we celebrate Zimbabwe Independence Day from April 15th to the official date on April 18th. This is where you will find people (including myself) grooving to music for Zimbabwean independence.

I have created six images that embody Zimbabwean culture and the spirit of Independence Day. The style of the images showcases the vibrant energy of Amapiano and Zimdancehall.

Independence Day allows family and friends to gather and share in the good times with plenty of food and drinks. I thought it was important to showcase my culture within British society.

Celebrating this day allows me to feel like I am right back there in Harare, Zimbabwe—eating my aunties’ food, representing our flag, and listening to DJs play my country’s music. This project allows me to share this feeling with others and showcase Zim culture to those who may not have been exposed to it before.

Likwan Duncan

My project, “Astro Painting,” is about painting with light using the night sky. Following the recent Artemis mission to the moon, I was inspired to combine my work in astrophotography with light painting—a technique I discovered by accidentally moving my camera while using a cable release.

Watching the take-off live and following the journey to the moon made me realize there is so much more to outer space than we know. I have also always been interested in painting with light, so I wanted to mix these two concepts together.

This project is important to me because my goal is to capture the night sky to show the influence of the stars. I want to use these pictures to paint a message for people and provide them with a source of motivation in life.

My images overlay an abstract illustration—a UFO, if you will—against the backdrop of an authentic night sky. I used a tripod, a cable release, and a long exposure, utilising the bulb setting at ISO 100.

Amber Fielder

My project, “Nature,” explores flowers and the beauty of the natural world through my own lens. I created this series because of my deep love for flowers and the unique shape of every single bloom. I want to share this perspective to help others recognise their quiet beauty.

Nature is all around us, changing with every season, yet so few people truly appreciate it—many would easily walk right over a flower without noticing. My background in nature photography dates back to my work experience in secondary school, and ever since, I always photograph flowers or scenes that inspire me when I am out. Being in nature makes me feel relaxed, and I believe that sense of peace is highly reflected in my art.

A major inspiration for this project is Hyunjin, a South Korean idol from the eight-member boy group Stray Kids. When he first debuted, he didn’t know how to dance and had to train relentlessly while managing the stress of attending dance school. His persistence paid off, and after two years, he became an incredible dancer. Beyond music, he draws, paints, and does photography while touring the world. He faces a lot of undue criticism, but he never lets it stop him from doing what he loves. His resilience and the sheer variety of his artwork completely inspire me, which is why I have included examples of his pieces in my project.

Ultimately, I hope “Nature” inspires viewers to be more open-minded. Not enough people nowadays care for our environment, and I want to show them the beauty of the world so they might treat it with more respect. By sharing both my own photography and Hyunjin’s unique artistic vision, I hope to remind people that everyone sees the world differently, and there is immense beauty to be found when we look through someone else’s eyes.

Kye Garvey

My work is inspired by the growing concern surrounding mental health, particularly among younger generations, where feelings of anxiety, disconnection and identity confusion are becoming increasingly common.

I was interested in exploring how these struggles are often invisible yet deeply affect the way individuals experience themselves and the world around them. The idea of distortion and static showcases how overwhelming thoughts and emotions reflect upon the title “Signal Lost”, suggesting a breakdown in communication. A breakdown not only with others, but also with oneself.

I was also influenced by the impact of social media, particularly in relation to body dysmorphia and unrealistic beauty standards. The constant exposure to edited and idealised images can distort how individuals see themselves, creating a disconnect between reality and perception. This idea is visually represented through the static that is covering parts of the face, symbolising how identity and self-image can become fragmented or unclear.

In addition, I explored the role of music as a coping mechanism during difficult times. Music can act as both an escape and as a form of expression when emotions are hard to articulate. The inclusion of handwritten lyrics represents this personal connection, providing a voice to thoughts that might otherwise remain unspoken.

Overall, my work aims to capture the complexity of mental health struggles in a way that feels both relatable and thought-provoking, encouraging the viewer to reflect on the hidden nature of these experiences and the importance of understanding them.

Victoria Gibson

My project, “Animals on the Street,” is about documenting different types of animals and showcasing their various states of ownership. I created this because I wanted to make people aware that not every animal has a home, and they shouldn’t be treated any differently because of this.

It was important to me because, ever since I was young, I have loved pets and animals, whether they were mine or not. My motivation comes from always wondering if they have a safe place to stay and if they are treated the right way; my empathetic viewpoint is reflected in my images.

I was inspired by Giacomo Brunelli, as he captures a deep connection with the natural world through his lens, showing us the emotions and feelings of different animals. I hope people who view my work feel a deeper connection and understanding of how important animal lives are and how they should be taken care of in the correct way.

Overall, I enjoyed making this project because I could show my viewers the reality of how animals are treated through their posture and emotions.

Harry Goseley

My project is about the history of Dudley. I created this because I feel like our local heritage is a key part of our lives, yet people don’t know as much about it as they used to. It was important to me to document the past and show people of all ages the importance of our history.

I was motivated by my own intrigue and eagerness to learn about the past, but also by a desire to boost Dudley’s image in the process. Combining these two goals motivates me to capture the best photos I possibly can.

I was inspired by Francis Frith, a photographer who took historical photos of famous landscapes and buildings across Dudley and the Black Country. I hope people who view my work understand that Dudley isn’t as bad as its reputation suggests, and that my photos convince others to share our history with people across the UK.

Overall, I want to highlight that Dudley actually has a very interesting past. The town takes a lot of criticism, so doing this will hopefully boost Dudley’s popularity and change people’s minds.

Lilly Gough

The name of my project is ‘Variance to Society’. I have created this project to show the differences between people around the world, and to show that people can be ‘their own’ with no guidance. It also aims to showcase and celebrate difference and individuality.

I was inspired by Jo Spence, as she created images of herself showing her body before surgery and depicting different stages of life. I was also inspired by Ray Spence (unrelated), as he raises awareness of body image.

I believe this is important, as my project demonstrates that people are often bullied and mocked due to perceived differences.

Some of the themes my images have explored include coloured hair, race, piercings, glasses, clothing styles, and tattoos.

Toby Gover

‘Beyond the Track’ explores the themes of emotion, personality and individuality defined by motorsport. Inspired by the works of Oscar Lumley, my project aims to capture the stories behind motorsport through the cars out on the track.

Through these images, I aim to display the beauty of racing, hoping to inspire my audience to see the sport as both uplifting and educational.

Ultimately, my hope is that ‘Beyond the Track’ encourages others to understand the emotional highs and lows of racing—whether winning or losing—and to recognise the dedication and hard work put into track days.

Zara Homer

Although the fashion industry receives negative press in terms of the environment and sustainability, my projects fit into the positive image fashion genre. I have collaborated with fashion students and stylists to create dynamic images to promote the garments. 

To achieve these photos, I used harsh lighting (especially on the black backdrop) to add lighting and depth to the model and garments. I also switched between a white and black background to experiment.

One thing I tried to do was a movement-type silhouette shot which I thought was interesting and turned out better than I expected for my first time.   

Reece Hurlstone

My project explores digital infrared photography and other unconventional practices in photography. My chosen six images are from a set I have entitled “Scenes from a Memory”. These images were created with a full-spectrum camera and a variable infrared filter, at a pass wavelength of around 680nm.

My interest in infrared photography was originally inspired when I discovered the work of Richard Mosse, an Irish artist and photographer who famously used Aerochrome film to document the Congolese Civil War. Unfortunately, however, this film has long since been discontinued, and remaining stock is extremely scarce. The alternative is digital photography.

To start exploring this process, I began with a 22-year-old Nikon D70, which I found online for £40, and modified it myself by removing the hot mirror filter (which blocks out infrared and ultraviolet light) from the camera sensor. This camera is admittedly an ancient relic compared to modern equipment. Despite this, the 6-megapixel CCD sensor it possesses is still capable of producing brilliant images, and because it is quite simple, it was relatively easy to convert.

At first, I wanted to produce results that replicated the look of Aerochrome film. I pursued this for a while at the beginning of my project, creating a handful of outcomes I was happy with. As the project progressed, however, my direction changed, and I began to pursue a different infrared look: one with bright white foliage and deep blue skies. I quite like the more muted tones these images have and the almost otherworldly feel they give off. I wanted my images to feel as if they were fragments of dreams or memories, and I feel that this style of infrared works well to bring that out.

The editing process, like the photos themselves, is also quite atypical. I set the white balance using grass and trees as neutrals (which, typically, would ruin a visible-light image) and swapped colour channels to achieve my outcomes. All my editing was done using free, open-source software (Darktable, which is an alternative to Lightroom) on my own computer.

My hope is that viewers of my work will be inspired to experiment with new mediums and unconventional means of creating art however they choose to do so—whether that is through photography, design, painting, sketching, or more. My message to them is that you really do not need the most technically advanced or expensive equipment to create art. In my opinion, limitation is crucial to creativity. With that being said, I hope that you enjoy the work I’m presenting, and I hope it makes you feel something.

Harry Jones

I am fascinated by cars and motor racing. My work attempts to express the energy, danger, teamwork and chaos of this sport.

My images have been retouched to give them higher contrast and deeper colour saturation in order to accentuate this. I am aiming to show how fun, exciting and enjoyable the sport can be.

I want my work to inspire others to take this up as a hobby too.

Sophie Jones

My project is called “The Recreation”; it showcases the recreation of different album covers.

I created this project because I wanted to push myself out of my comfort zone and attempt something that I have not seen often before. I found my final project idea was difficult at first because it was simply time-consuming in all regards, including the thought and preparation put into it. However, once I had a plan, all the necessary props, and people to help me, it was easier than I had originally thought.

I was encouraged to pursue this by a former student called Cassidy Woodrow. I was inspired by her work when she was a visiting speaker for my class at the start of the year, and she had told us that for her project she also recreated her favourite album covers. I heard this idea and decided to do it for my final major project.

I learnt a lot while completing this project. I learnt how to use different tools on Photoshop, which is one of the things I’m most happy about. Before my final major project, I wasn’t all that confident when using Photoshop, but now I have had the opportunity to improve my skills and get a wonderful project out of it.

Marisa Jordan

My project, “Monster Personalities”, is about combining the Monster Energy brand with human characteristics. My aim is to promote Monster Energy using traditional product photography, whilst additionally presenting the different flavours through a person’s appearance. My target audience is people who already enjoy energy drinks, as well as those who might be persuaded to try them for the first time.

These photos were taken in the studio with hard lighting on the model and soft lighting on the cans. The hard light gave the model a sharper look and helped them stand out from the black background, while the soft lighting prevented harsh reflections on the metal cans.

I believe using this kind of lighting and setting is the best way to present the brand. Monster has an inherently dark, edgy name but uses incredibly bold colours. Placing the subjects against a blank black background is exactly what is needed to make those colours look vibrant and truly stand out.

Winnie Mbujibuni

My personal project focuses on my culture, deeply examining my African roots and heritage. To explore this, I will be photographing local shops, traditional foods, cultural artefacts, the people closest to me, alongside a self-portrait.

I believe it is incredibly important to celebrate and honour culture and diversity, as it fosters a true sense of belonging and inclusivity rather than exclusivity. When different languages, perspectives, and traditions are recognised, it helps people feel seen, respected, and valued for exactly who they are.

Furthermore, diversity brings creativity and fresh ideas; when people from varied backgrounds collaborate, they frequently discover better solutions by approaching challenges in different ways. Exposure to different cultures also allows us to learn from one another, actively challenging stereotypes, reducing prejudice, and building mutual understanding.

Ultimately, celebrating culture and diversity makes communities more accepting and less divided. It strengthens society as a whole by encouraging the equality, fairness, and respect that are vital for peaceful and successful communities.

Jessica Parkes

For my personal project, I have decided to go with the theme of graffiti and the exploration of the story behind it. I wanted to make it stand out. I also decided to shoot this project on a Polaroid Gen 2, as I thought it would fit perfectly with a retro art form like graffiti. My project contains six Polaroids, showcasing different types of graffiti—from tagging to murals—created by numerous artists in different locations.

My project was heavily inspired by photographers such as Henry Chalfant and Martha Cooper, as their images caught my attention due to the details and vibrancy they manage to capture in urban life.

Overall, this project is really important to me. I feel like graffiti artists have often been silenced and overlooked, which makes me feel a responsibility to honour their work and bravery in the face of discrimination. I also hope that people who view my work feel a sense of confidence and pride in the arts, specifically graffiti, as it has so often been viewed negatively or as morally wrong.

Melissa Poxon

My project, “Music”, is about the fortitude to perform and people expressing themselves through their music. I have created this project because I want to show the confidence people must have to get up on stage and perform in front of an audience. This project is important to me because I find that I have a deep connection to music; I am always listening to it in the background to keep my mind occupied and busy. It keeps me distracted instead of letting my thoughts take over.

My motivation was the fact that I photographed a few music gigs for my documentary project, and I found an interest in photographing live music. As a result, I grew passionate about the experience. I also have family members who are in a band, and I got ideas from their photographers and so on. The artists I was inspired by are Lisa Billingham and Sandis Luttropp, who have both worked with the band Stone Broken, and I really admire their work and style.

I hope that my work will encourage performers to be more confident in what they are passionate about, whilst also doing what they want and enjoy the most. In conclusion, I want to show how performers must compose themselves to perform live on stage, because that is a lot of pressure to put onto a person. Self-doubt may creep in, causing them to wonder if they are going to play correctly or if they will forget their part. Therefore, I want to make it known just how courageous these artists are to stand up and play for people.

Imogen Rose

My project, “Blooming Pages”, is about flowers, books, and showing how it feels to read as entire worlds emerge from the pages. I created this because many people nowadays don’t enjoy reading, and I felt that a visual representation of these stories could make them more appealing to
non-readers—especially as fantasy books are becoming increasingly popular.

This project is important to me because reading has always been an escape from the real world, providing a sanctuary when most people would rather doomscroll on social media or play video games.

I was inspired by Alan Shapiro, a photographer based in New York; his flower photography is quite unusual, as he uses extremely bright blooms and contrasting colours. My aim was to incorporate this aesthetic with fantasy books.

I hope people who view my work feel like they are looking into a different world, just as many books have done for me. In conclusion, I hope my project convinces more people to read.

Abbie Shaw

My images are inspired by Minor White. I am exploring the themes of texture, tone, shape, form and contrast by experimenting with macro photography. I am exploring this through both animate and inanimate objects, such as fossils, skulls, rocks and shells.

I used a macro telephoto lens to focus on key details, paying particular attention to the lighting, skimming it across the subjects to emphasise their intricate features and textures.

Jacob Stokes

My project explores documentary street photography. I have attempted to convey a sense of isolation in some of the images, and relationships in others. I used a telephoto zoom lens to capture a genuine understanding of my subjects.

There is an authentic, grabbed style to my work, attempting to show the different stories of each subject in my images. To document these types of shots, I used a fast shutter speed and a low ISO to try and get the best results possible.

The artist who has inspired me the most is Henri Cartier-Bresson, as, much like in my own work, he favoured a grabbed shot and capturing things in the moment. I hope people who view my work will feel a sense of connection to the images that show isolation, as many people in this generation feel isolated from society.

My project aimed to capture the comparison between isolated individuals and those in partnership with one another, providing an insight into the diversity of our society through my lens.

Christian Sutheran

My project, “Angles of the Railways”, is about photographing different aspects of the railways that everyday commuters may never take notice of. I created it because I have an immense passion for the railways, and now, with a camera in my hands, I can’t wait to prove my skills whilst sharing my interests with others.

It was important to me as I was able to share my liking for trains and the railway in general, whilst also working to create the best pictures possible. Throughout the project, I used my Canon 800D, which proved to be a reliable piece of equipment. I went on to take well over 500 pictures for inspiration, for my overall project, and for my final six images.

My motivations were the photographers I researched during the project, with my main inspiration being Andrew Shenton. Whilst browsing through his library, I was amazed by the different portfolios he had organised his photographs into, along with his wide variety of pictures. The composition of his photos was inspiring to such an extent that I incorporated similar settings into my own pictures.

I hope people who view my work take inspiration from it in the same way I did. I’ve found this final personal project enjoyable as it has broadened my freedom to go out, record, and document a day on the railway as an ordinary commuter myself.

Kaiysha Talbot

I am fascinated by the aesthetic beauty of cars as objects of aspiration and desire. My approach has been as a roving photographer, scouring the streets for intriguing juxtapositions.

For this, my goal was to capture the beauty of street cars in city centres, but specifically cars with unique details; this interests me because I don’t enjoy seeing the same cars everywhere, as it has become boring and bland. I am specifically interested in JDM cars and motorsport; that is what I want to focus on for next year’s final project.

I was very inspired by Oscar Lumley for the motorsport and panning details in his photography, and also inspired by Adam VL for his creativity. I wanted to portray that in my motorbike and car photography. I love how car photography with panning represents the speed and action of the cars; this is something I’d like to develop in my own work.

Dauntae Whittle

My project is location-based. I am really interested in architecture and art, and the combination of the two.

I am particularly fascinated by art on buildings, such as graffiti art. I am inspired by Steve McCurry’s loitering, grabbed techniques.

We all need art in our lives. Public art is essential for our cultural wellbeing and showcases our impact on the area in which we live.

I am using a fast shutter speed to reduce camera shake and capture quicker-moving objects. I will be doing this because I believe that legal, licensed public art is essential for our cultural wellbeing, as it provides diverse and unique surroundings within our modern world.

Lillie Williams

For my project, I have chosen to portray nature in a colourful, realistic way that draws the attention of my viewers. I want my audience to imagine the sounds and smells just by looking at my photos. I want all my images to have a deep, special meaning behind them, which I think will really keep me inspired and motivated. This will also help viewers build a connection to my photography, as they can relate to it by using their imagination.

I want to document the beauty of the world, preserving moments of various species and landscapes. Images can also raise awareness about environmental issues, the importance of our planet’s health, and animal behaviour. My project is art-based, and my main goal is to portray the beauty of nature from an imaginative perspective to draw the attention of my viewers and create the illusion that they are within the photo.

My work is inspired by Colin Prior, as he has a clear passion for the landscape and its nature. He has photographed some amazing locations that he has shared with us. I personally love his colourful photos because they stand out and are unique. They are incredibly striking and give a sense of peace. I think his photos really come to life and make you feel like you’re there. I appreciate photographers who have a deep passion for their craft and show that they are truly interested in nature, as it inspires me to find something that I am passionate about.

In conclusion, I want my work to stand out and for my viewers to see my strong passion for what I do. I want them to deeply connect with my photos and see what I see when I look back at them.

Nathaniel Wright

My project explores the vital role the gym plays in maintaining both our physical and mental health. I have photographed a diverse range of activities, equipment, and individuals working out.

To accentuate the dynamic energy of the space, I have utilised low angles, alongside leading lines to add depth and perspective.

Ultimately, I hope my images inspire others to engage with fitness facilities and stay active for their general wellbeing.

Kyra York

My project involves developing my set-building, lighting and branding skills. I have photographed a range of commercial products, utilising soft lighting, tiles, composition and product positioning.

My plan is to promote the products in an advertising context in the hope of persuading viewers to purchase them. My biggest inspiration for this project was Edd Fury and his dynamic, stylised advertising shots of all kinds of products.

I wanted to challenge myself, and I felt that this style would be a big challenge for me personally, as I find working with stationary objects rather than a moving target a lot more difficult. Through this project, I learnt a lot about new techniques and gained many new skills which I hope will aid me in my future photography work and, hopefully, my career.

Artsfest Photography Yr2 Gallery 2026Artsfest Photography Yr2 Gallery 2026

ISSEY ADDENBROOKE | ALEXIA ASTON | EBONY BELNAVIS | RUBY CARTWRIGHT | HENRY DREWERY | NATASHA EDWARDS | POPPY HANEY | TRINITY-MAI POWELL | KAYSIE RUSSELL | WERONIKA SZYMALA | LYDIA WHORTON-WILLIAMS | CHARLIE WILKINSON

Issey Addenbrooke

My project, ‘Crime Scene’, explores the genre of forensic photography. I created this because it’s a subject that interests me and supports my future career aspirations. The project was important to me because I want to build my confidence and be more prepared for my chosen career path. Additionally, it reflects real-life events that can take place.

I am incorporating darkroom photograms and fingerprints alongside police identification recreations. I used soft light, sombre colours, and downbeat expressions. My motivations stemmed from my interest in different shows on TV, as well as real-life events that have a good build-up and storyline.

While working on this project, I was inspired by Arthur Fellig, also known as ‘Weegee’, because his images were raw, high-contrast, and in black and white. He also often arrived at the scene while the action was still taking place. I hope people who view my work feel more aware of their surroundings.

Overall, I enjoyed making this project because I love being creative in different ways and expressing a range of emotions within my final piece.

Alexia Aston

My Final Major Project (FMP) focuses on endangered animals. Although many of these species are heavily protected globally thanks to the work of conservation foundations and organisations, they still face significant threats.

Research shows that endangered species often act as vital indicators of environmental health; when their populations decline, it signals underlying issues such as habitat destruction, pollution, or climate change. If these issues remain unaddressed, they threaten the stability of entire ecosystems and countless other species.

Through my photography, I aim to tell the stories of the endangered animals remaining in our world, highlighting how they are often mistreated or hunted for their fur and other materials due to misinformation, despite their crucial environmental importance. My intention is to celebrate the diversity of the animal kingdom and explore the role zoos play in supporting conservation, protecting vulnerable species, and educating the public.

To capture these photographs, I relied on a telephoto zoom lens and saturated colour, alongside patience and environmental awareness. I believe that engaging with wildlife and nature is increasingly important for mental health—both for myself and others—as it encourages people to spend time outdoors and connect with the natural world.

Ultimately, through this project, I aim to showcase my photography skills while encouraging my audience to emotionally engage with the subject matter and develop a deeper understanding of endangered animals.

Ebony Belnavis

My images focus on the beauty industry. I have combined event photography and studio portraiture to explore the creativity, skill, and professionalism involved in makeup artistry. I worked with professional makeup artist and social media influencer Demi Flukes of Pandora’s Prom.

Through this project, I wanted to show that makeup is more than just beauty—it is a form of art and self-expression. By photographing Demi both while she worked and in our photography studio, I was able to capture the process behind each look, as well as the final results. This allowed me to highlight the detail and creativity that go into her work.

I want my work to celebrate the beauty industry and show how makeup can boost confidence and help people express their individuality. I hope my images help viewers appreciate the talent and dedication behind professional makeup artistry.

Ruby Cartwright

As a young photographer, being able to photograph many different people every day has been an amazing way of capturing different personalities. However, it has also given me a whole different perspective when it comes to noticing the walls some of my models put up when they’re given freedom in front of the camera.

This sparked my interest in this project. My work explores the identity and representation of young people. I have combined found projected graphic images with personal portraiture, using keywords and phrases to add meaning and poignancy. My intention is to spark debate around mental health, self-image, AI, and social media, and how these are affecting my generation.

I wanted my work to clearly display the common theme of young people being forced to fit into society by behaving, acting, and/or looking a certain way, which then results in those same young people not being able to explore their freedom of identity out of fear and pressure. I also wanted to clearly display the growth of those hidden identities when expressed with confidence, using positive reminders and quotes that reinforce the act of being your true self.

Henry Drewery

The aim of my project is to raise awareness of the damage humans cause to nature’s beauty. I wanted to show that people’s bad habits can turn the gorgeous sights of flowers and plants into a complete eyesore.

To replicate the awful things that people do, I had to recreate them myself; however, I made sure to do the right thing and clean the flowers up afterwards so that no lasting harm was done.

I think my images convey this perfectly, as they show how actions that people consider ‘normal’ can ruin nature. I wanted to make these images look as real as possible, highlighting the negative aspects that are surrounded by beauty.

Natasha Edwards

My project, ‘Fear Forest’, is about showing people’s biggest fears and phobias. I created this because I enjoy exploring horror aspects within artistic images. It was important for me to undertake this project because I wanted my audience to explore the different phobias that people harbour within themselves.

My motivations came from the film ‘Escape Room’; it shows characters facing their individual fears, which they must overcome to escape. I was inspired by Kelly Jean because her work is eerie and unsettling, yet highly creative and artistic. I hope people who view my work also feel uneasy and creeped out.

Overall, I enjoyed making this project because I had total creative freedom and got to delve into the deeper meanings of people’s phobias to find out more about them.

Poppy Haney

The fashion industry faces critical issues driven by environmental impact and exploitative labour concerns. However, my work focuses on how the fashion industry can positively support young people’s health and well-being.

I have explored how clothing, style, or a look can create self-esteem and confidence. My models look strong and self-aware, addressing the camera with style and flair.

When I started my Final Major Project, I chose to do fashion as I wanted to celebrate people’s styles in different ways and to present them in magazines. These photos also show an expression of people’s hidden personalities through their style, and how they express themselves through clothing.

I have found while doing all these fashion photoshoots that you are able to see people feel more comfortable when they’re wearing something that expresses who they are.

Trinity-Mai Powell

My Final Major Project, “Music is my Identity”, is about showing how music can shape who we are. Music is something that almost everyone connects with. It can bring back memories, change our mood, help us through difficult times, and express emotions that we sometimes cannot put into words. For me, music is a huge part of everyday life, and I wanted to create a project that shows how deeply it can influence a person’s identity.

Through creative portraits, I use items such as headphones, cassette tapes, vinyl records, and musical symbols to represent the connection between music and the individual. Each photograph is designed to tell a story and show how music can reflect someone’s personality, emotions, and experiences.

Over the past two years at college, I have photographed many different subjects, including people for studio portraits and pets. I have documented the everyday in my street photography, covered sports events, and even photographed my first wedding. These experiences have helped me improve my technical skills and develop my own creative style.

Photography allows me to connect with people and express how I feel through images. My aim is to create meaningful photographs that tell stories and celebrate individuality. Through “Music is my Identity”, I hope people will relate to my work and think about how music has helped shape their own identity.

Kaysie Russell

The intention is for my work to have commercial value. I am developing my location-based image-making within a lifestyle and social family portrait context.

My aim is to utilise light, expression, and location to reflect and complement the models, giving them confidence and creating a saleable look and feel. This work relates to my developing practice as a professional photographer, specialising in weddings, portraits, and events.

I strove to create a calm and relaxing atmosphere with a ‘go with the flow’ attitude for both myself and my clients, and I feel this shows in the photos I take. Nellie Photography on social media is an inspiration to me. Her photographs are bright and colourful, themed around weddings and natural portraits, which reflects the style I strive to achieve in the future.

One of the main challenges I encountered on my journey was working with natural lighting, which I overcame by introducing a flash. My intended audience consists of those interested in landscapes, weddings, portraits, and pet photography, which perfectly coincides with my future ambitions.

Weronika Szymala

My project, Hair Identity, is about showcasing the importance of everyone’s hair in various ways. I created this because I wanted to show that no matter what hair type you have, everyone possesses beauty in their own unique way. It was important to me to explore how the very thing that insulates our heads has come to hold such high significance in terms of our self-esteem, confidence, and culture.

The main motivation for this project was my deep interest in different hair types. Ever since I was young, I have enjoyed learning about different hairstyles and their impact on various cultures, as well as practising them on different people.

I was inspired by the photographer Clair Harrison; not only does she focus on hair, but she also highlights the beauty of her models in other ways, such as through their make-up, posing, and posture. I hope people who view my work feel more confident and unafraid of what others might say about them.

Overall, I have really enjoyed working on this project. Not only did I get to photograph a variety of people, but I am now also able to show my viewers the importance of hair identity and educate them about the diverse backgrounds people come from.

Lydia Whorton-Williams

Fear reveals who we truly are—it triggers our ‘fight or flight’ response. With The Unknown, I wanted to evoke an overwhelming sense of discomfort, paranoia, and fear, immersing the viewer in a collection of negative emotions.

I have loved horror since childhood; my favourite film was Jeepers Creepers. Its blend of suspense, demonology, and terrifying creature design, alongside excellent character development, deeply inspired me and helped shape my artistic vision today.

Driven by this passion, I learnt Photoshop during my Level 3 Photography course at Dudley College. Despite having no prior experience, I now specialise in the software, using it to bring the dark creations of my imagination to life.

John Santerineross and Joshua Hoffine were my main inspirations, particularly in how they use Photoshop to explore themes of horror. I incorporated Santerineross’s unsettling use of demonology and the paranormal, while integrating Hoffine’s incredible editing techniques into my workflow.

Shooting entirely at home meant I had to improvise. Aside from creating the missing posters, I repurposed old photos of people for my final pieces. Transitioning from my usual use of natural light to an indoor, makeshift rig was initially a challenge. However, having to adapt to this restricted lighting actually worked in my favour, naturally enhancing the eerie atmosphere.

Ultimately, I hope The Unknown successfully expresses the creepier, more unsettling aspects of our world.

Charlie Wilkinson

My FMP was primarily centred around movement, and the context is left open to the interpretation of the viewer. However, I deliberately shot the images in darker, grittier settings to help evoke a darker mood for the audience. My original idea for this project was to capture documentary-style images and use editing to help shape a story or concept.

I utilised a few different techniques and skills throughout this project. For instance, I used a slow shutter speed combined with a tripod to keep the overall image sharp, ensuring only the moving subjects (the cars) were blurred.

During the editing process, I experimented with contrasting ideas, such as rendering the cars in black and white while keeping the background in colour, and vice versa. To achieve this, I used Photoshop to separate the background from the subject, which allowed me to selectively apply filters and blend the layers.

Ultimately, this project aimed to help me develop my technical skills, particularly when it comes to working through trial and error. Continuously adjusting the camera settings helped immensely with this, allowing me to learn intuitively what my exposure should be as I worked.

Production Arts 2025Production Arts 2025

Unleash Your Creativity: Production Arts at Dudley College of Technology

Studying Production Arts at Dudley College of Technology offers an immersive experience for students interested in the behind-the-scenes aspects of theatre, film, and live events. This course is designed to provide comprehensive training in various production disciplines, preparing students for higher education or careers in the creative industries.

Located in the vibrant West Midlands, Dudley College of Technology boasts state-of-the-art facilities, including modern studios, workshops, and performance spaces. Students have access to industry-standard equipment and software, ensuring they are well-prepared for contemporary production practices.

The Production Arts course covers a wide range of subjects, including set design, lighting, sound, stage management, and costume design. This diverse curriculum allows students to explore different aspects of production, helping them discover their unique strengths and interests. Experienced tutors, who are professionals in the production arts field, provide personalized guidance and support, fostering an environment of creativity and innovation.

Strong Connections With Universities and Drama Schools

A significant advantage of studying at Dudley College of Technology is the emphasis on practical, hands-on learning. Students participate in live projects, performances, and collaborations with local theatres and production companies, gaining valuable real-world experience and building a professional portfolio. The college’s strong connections with universities and drama schools across the UK offer excellent progression opportunities for those wishing to further their studies.

Beyond academic and technical training, Dudley College of Technology focuses on personal development. Students are encouraged to develop critical thinking, problem-solving skills, and a professional work ethic, ensuring they are well-rounded individuals ready to thrive in the competitive world of production arts.

Choosing Dudley College of Technology for your Production Arts studies means embarking on a journey of artistic growth and professional development in a supportive and inspiring environment.

The Wicker Man

Various Student Projects

Performing Arts and Music 2025Performing Arts and Music 2025

PERFORMING ARTS | MUSIC | DANCE

Performing Arts

Year 1 Acting – Three by Harriet Braun

Year 1 Acting – DNA by Dennis Kelly

Music

Original Compositions by Kay Mullac

Live and Loud at the River Rooms Stourbridge 2025

Stills from Live Performances 2025

Dance

BTEC Art and Design 2025BTEC Art and Design 2025

Studying the BTEC National Diploma and Extended Diploma in Art and Design at Dudley College of Technology offers an enriching pathway for students passionate about the creative arts. These courses are meticulously designed to provide comprehensive training in various art and design disciplines, preparing students for higher education or careers in the creative industry.

Dudley College of Technology, situated in the vibrant West Midlands, boasts cutting-edge facilities, including well-equipped studios, workshops, and digital labs. Students have access to industry-standard tools and software, ensuring they are adept at contemporary art and design practices.

The BTEC National Diploma and Extended Diploma courses cover a wide range of subjects such as fine art, graphic design, textiles, 3D design, and photography. This diverse curriculum allows students to explore different mediums and techniques, fostering their creativity and helping them find their unique artistic voice. The courses are taught by experienced tutors who are active professionals in the art and design field, providing expert guidance and support.

A significant advantage of studying at Dudley College of Technology is the emphasis on practical, hands-on learning. Students participate in live projects, exhibitions, and collaborations with local businesses and organizations, gaining valuable real-world experience and building a professional portfolio. The college’s strong connections with universities and art schools across the UK offer excellent progression opportunities for those wishing to further their studies.

Beyond academic and technical training, Dudley College of Technology focuses on personal development. Students are encouraged to develop critical thinking, problem-solving skills, and a professional work ethic, ensuring they are well-rounded individuals ready to thrive in the competitive world of art and design.

Choosing Dudley College of Technology for your BTEC National Diploma and Extended Diploma in Art and Design means embarking on a journey of artistic growth and professional development in a supportive and inspiring environment.

We hope you enjoy this gallery of recent work from this year’s cohort of young artists studying BTEC Art and Design at Dudley College of Technology.

Art and Design 2025Art and Design 2025

BTEC NATIONAL AND EXTENDED DIPLOMA IN ART AND DESIGN | FOUNDATION ART AND DESIGN | LEVEL 1 ART AND DESIGN